Enter Asobi Seksu. No, the singer's name is not Asobi just as Ian Anderson and Darius Rucker aren't the eponymous members of Jethro Tull and Hootie and the Blowfish respectively. Get this right and we can still be friends. Her name is name is Yuki Chikudate and she is rocking my small world as I write this. Their name translates colloquially from Japanese as "Casual Sex," though I think they sound more like a "sexplosion." They're from New York and fit very nicely into that "Dream Pop" mold I talked about in my post about Longwave. Their most recent release is called "Rewolf" and it consists of acoustish versions of songs on their last three albums.
Asobi Seksu - Breathe Into Glass (Acoustic at Olympic Studios)
Discover Simple, Private Sharing at Drop.io
Now, this probably won't give you the best idea of what they sound like on the reg, but I've been listening to this one a lot lately. Most of their songs have a bit more of a kick to them i.e. plugged in with layers of reverb and delay. If one were to describe their sound as the aforementioned "sexplosion," this record would be more akin to being roused from sleep next to that hypothetical significant other on a cold winter morning by the sunlight reflecting off of freshly fallen snow and onto your not-quite-ready-to-open eyelids.
Asobi Seksu - New Years (Acoustic at Olympic Studios)
Discover Simple, Private Sharing at Drop.io
Oh, and did I mention that Yuki has one of the most soothing voices I've heard in recent years? Add to that the fact that she sings in both English and fluent Japanese and that the music is gorgeous/lush/amazing, and you have a guaranteed winning combination as far as I'm concerned. They just went back into the studio to start work on their next album and I am sooooo ready for it. If you want to get into their stuff in a way other than this not-quite-acoustic record, I would recommend picking up "Citrus." I would post a track from that record, but my files for it seem to be corrupted and I don't feel like ripping it right now. Tough cookies.
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